Xing-Biao, XUE
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RESUME
1944 Born in Fujian, China
1965 Graduated from the Fine Arts Section. Art Department of Fujian Normal University 1979 Graduated from the oils class for Further Studies of Zhejiang Art Institute Member of China Artists Association/ Member of China Artists Association |
POST SUCCESSIVELY
Director of the Art Department of Fujian Normal University
Professor of the Art Department of Fujian Normal University
Visiting Professor of Nagoya Art University, Japan
National First Class Artist of Fujian Art Research Institute
Vice Chairman of Fujian Committee for Evaluation of Senior Professional Titles of Fine Arts
Executive Vice President of Fujian Art Academy
Member of the Review Committee for the 9th China National Art Exhibition
Drunkenly Merging with the Universe 117x364
SOLO EXHIBITION
| 2014 | “ Xing Biao Wuyi Dream”, Wuyi University, Fujian , China |
| 2012 | “ Love like a mountain- Xue Xing Biao impressionistic painting”, Fuzhou Painting Academy, Fuzhou, China |
| 2007 | “ Xue Xing Biao Solo Exhibition ”, Quanzhou Painting Academy, Fujian, China |
| 2004 | “ Xue Xing Biao Solo Exhibition ”, Holyoriental Art Gallery, Beijing, China |
| 2002 | “ Xue Xing Biao Solo Exhibition ”, Naffouj Gallery, Rheinland- Pfalz, Germany |
| 2000 | “ Xue Xing Biao Solo Exhibition ”, Ohio Chinese Art Center, USA |
| 1996 | “ Xue Xing Biao Solo Exhibition ”, Taiwan Imagery Painting Art Gallery( Artnutri Gallery), Taichung, Taiwan |
| 1996 | “ Xue Xing Biao Solo Exhibition ”, Arts Space Gallery, Nagoya, Japan |
| 1995 | “ Xue Xing Biao Solo Exhibition ”,Anli Painting Salon, Nagoya, Japan |
| 1984 | “ Go into the thick life in Yunnan”, Fuzhou Art Museum, Fuzhou, China |
Life’s Leap 91 x 117 cm
WORKS ON DISPLAY AT EXHIBITION
| 1964 | “Flowers of the Motherland” The 4th China National Art Exhibition, Shanghai Art Museum/The National Art Museum of China (NAMOC), China |
| 1972 | “Railway Guards” China National Army Art Exhibition to Celebrate the 45th Anniversary of the Founding of the PLA, China Military Museum, Beijing,China |
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1979
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“Glory of the Nation” The 5th China National Art Exhibition, Shanghai Art Museum, China |
| 1979 | “Town of Banyan”, “Early Spring” The Oil Painting Exhibition of Landscape and Still Life from Six Provinces and One City in East China, Shanghai Art Museum, China |
| 1984 | “Golden Autumn on the Borderland” The 6th China National Art Exhibition, The National Art Museum of China (NAMOC), China |
| 1987 | “Green Shade” China Formative Arts Exhibition, Toronto Art Gallery, Canada |
| 1988 | “Farewell to My Concubine” China Modern Arts Show, Greenwich Art Gallery, New York/ Hawk Painting Salon, New York, USA |
| 1988 | “Life” Exhibition of Teachers Paintings from Six Provinces and One City in East China, China |
| 1989 | “The Winter Solstice” The 7th China National Art Exhibition, Shanghai Art Museum, China |
| 1991 | “Ancient Walled City” The 1st China Annual Show of oil paintings, China History Museum, Beijing/ Hong Kong Conference and Exhibition Center |
| 1994 | “ Between the Lines” The 8th China National Art Exhibition, NAMOC, China |
| 1999 | “ Wild with Joy” The 9th China National Art Exhibition, Shanghai Art Museum, China |
| 2002 | “Autumn” and others Exhibition of Four Chinese Oil Painters, Rheinland-Pfalz, Germany |
| 2002 | “Red Sails” and others Rheinland-Pfalz Art Fair, Rheinland-Pfalz , Germany |
| 2003 | The 3rd Chinese Oil Painting Exhibition, Shanghai Art Museum, China |
| 2003 | The 2nd National Painting Academy Biennale, Guangdong Museum of Art, Guangdong ,China |
| 2004 | The 10th National Exhibition of Oil Paintings, The National Art Museum of China (NAMOC), Beijing, China |
| 2006 | “ Infinity County- North and South Oil Painting Guest Exhibition” ,The National Art Museum of China (NAMOC), Beijing, China |
| 2007 | “Exploit of Centry - Chinese Painting Exhibition”, National Museum of China, Beijing, China |
| 2008 | The 1st China Life Drawing Phoenix Award, The National Art Museum of China (NAMOC), Beijing, China |
| 2010 | “The Oil Painting and Contemporary Society Exhibition”, National Museum of China, Beijing, China |
| 2011 | “ Classic and inheritance- 1st China Oil Painting Bienniale”, Shenzhen Art Museum , Shenzhen / National Museum of China, Beijing, China |
| 2013 | “Xue Xing-Biao, Chang Li Ping, Guo Ning Joint Exhibition”, Fujian Art Museum, Fujian, China |
The essence of Xie He’s “six techniques” is that the “tone should be lively” and the “brush should be used to generate forcefulnesss.” The requirement refers to poise, and latter refers to the “skeleton.” A scholar of the Wei-Jin period combined these two elements and formulated the requirement for a “distinct, elegant, and slender exterior and interior. This is the source of traditional Chinese painting’s vitality.
To raise my spirits, I transformed “Life” into Zhuo Zhuo’s “Spring Moon and Willows” so that I could adapt scribbling, not seeking realism, but only seeking to please myself.”
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