Xing-Biao, XUE
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RESUME 1944 Born in Fujian, China 1965 Graduated from the Fine Arts Section. Art Department of Fujian Normal University
1979 Graduated from the oils class for Further Studies of Zhejiang Art Institute Member of China Artists Association/ Member of China Artists Association 2013 Awarded the Fujian Province Lifetime Achievement in Art Award |
POST SUCCESSIVELY
Director of the Art Department of Fujian Normal University
Professor of the Art Department of Fujian Normal University
Visiting Professor of Nagoya Art University, Japan
National First Class Artist of Fujian Art Research Institute
Vice Chairman of Fujian Committee for Evaluation of Senior Professional Titles of Fine Arts
Executive Vice President of Fujian Art Academy
Member of the Review Committee for the 9th China National Art Exhibition
Xing-Biao XUE，< Drunkenly Merging with the Universe >，oil painting，117x364cm
SOLO EXHIBITION
| 2017 | “Imagery” Xue Xing Biao Exhibition , Fu Qing Art Museum, Fujian, China |
| 2016 | “State of Mind”Xue Xing Biao Exhibition, Fujian Art Museum, Fujian, China |
| 2015 | “Xue Xing Biao Exhibition”, Artnutri Gallery, Miaoli, Taiwan |
| 2014 | “ Xing Biao Wuyi Dream”, Wuyi University, Fujian , China |
| 2012 | “ Love like a mountain- Xue Xing Biao impressionistic painting”, Fuzhou Painting Academy, Fuzhou, China |
| 2007 | “ Xue Xing Biao Solo Exhibition ”, Quanzhou Painting Academy, Fujian, China |
| 2004 | “ Xue Xing Biao Solo Exhibition ”, Holyoriental Art Gallery, Beijing, China |
| 2002 | “ Xue Xing Biao Solo Exhibition ”, Naffouj Gallery, Rheinland- Pfalz, Germany |
| 2000 | “ Xue Xing Biao Solo Exhibition ”, Ohio Chinese Art Center, USA |
| 1996 | “ Xue Xing Biao Solo Exhibition ”, Taiwan Imagery Painting Art Gallery( Artnutri Gallery), Taichung, Taiwan |
| 1996 | “ Xue Xing Biao Solo Exhibition ”, Arts Space Gallery, Nagoya, Japan |
| 1995 | “ Xue Xing Biao Solo Exhibition ”,Anli Painting Salon, Nagoya, Japan |
| 1984 | “ Go into the thick life in Yunnan”, Fuzhou Art Museum, Fuzhou, China |
Xing-Biao XUE，< Life’s Leap >
To raise my spirits, I transformed “Life” into Zhuo Zhuo’s “Spring Moon and Willows” so that I could adapt scribbling, not seeking realism, but only seeking to please myself.”
WORKS ON DISPLAY AT EXHIBITION
| 1964 | “Flowers of the Motherland” The 4th China National Art Exhibition, Shanghai Art Museum/The National Art Museum of China (NAMOC), China |
| 1972 | “Railway Guards” China National Army Art Exhibition to Celebrate the 45th Anniversary of the Founding of the PLA, China Military Museum, Beijing,China |
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1979
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“Glory of the Nation” The 5th China National Art Exhibition, Shanghai Art Museum, China |
| 1979 | “Town of Banyan”, “Early Spring” The Oil Painting Exhibition of Landscape and Still Life from Six Provinces and One City in East China, Shanghai Art Museum, China |
| 1984 | “Golden Autumn on the Borderland” The 6th China National Art Exhibition, The National Art Museum of China (NAMOC), China |
| 1987 | “Green Shade” China Formative Arts Exhibition, Toronto Art Gallery, Canada |
| 1988 | “Farewell to My Concubine” China Modern Arts Show, Greenwich Art Gallery, New York/ Hawk Painting Salon, New York, USA |
| 1988 | “Life” Exhibition of Teachers Paintings from Six Provinces and One City in East China, China |
| 1989 | “The Winter Solstice” The 7th China National Art Exhibition, Shanghai Art Museum, China |
| 1991 | “Ancient Walled City” The 1st China Annual Show of oil paintings, China History Museum, Beijing/ Hong Kong Conference and Exhibition Center |
| 1994 | “ Between the Lines” The 8th China National Art Exhibition, NAMOC, China |
| 1999 | “ Wild with Joy” The 9th China National Art Exhibition, Shanghai Art Museum, China |
| 2002 | “Autumn” and others Exhibition of Four Chinese Oil Painters, Rheinland-Pfalz, Germany |
| 2002 | “Red Sails” and others Rheinland-Pfalz Art Fair, Rheinland-Pfalz , Germany |
| 2003 | The 3rd Chinese Oil Painting Exhibition, Shanghai Art Museum, China |
| 2003 | The 2nd National Painting Academy Biennale, Guangdong Museum of Art, Guangdong ,China |
| 2004 | The 10th National Exhibition of Oil Paintings, The National Art Museum of China (NAMOC), Beijing, China |
| 2006 | “ Infinity County- North and South Oil Painting Guest Exhibition” ,The National Art Museum of China (NAMOC), Beijing, China |
| 2007 | “Exploit of Centry - Chinese Painting Exhibition”, National Museum of China, Beijing, China |
| 2008 | The 1st China Life Drawing Phoenix Award, The National Art Museum of China (NAMOC), Beijing, China |
| 2010 | “The Oil Painting and Contemporary Society Exhibition”, National Museum of China, Beijing, China |
| 2011 | “ Classic and inheritance- 1st China Oil Painting Bienniale”, Shenzhen Art Museum , Shenzhen / National Museum of China, Beijing, China |
| 2013 | “Xue Xing-Biao, Chang Li Ping, Guo Ning Joint Exhibition”, Fujian Art Museum, Fujian, China |
| 2016 | “Light of white lotus” series, Experimenting China in Peru – APEC “ Humans and Nature” Art Exhibition, Museo nacional de arqueología antropología e historia del perú |
The Spirit of Abstract Freehand Brushwork
Xue, Xing-Biao’s paintings have become as refined and elegant as the artist’s life. Travelling around and sketching in the open air, his early years primarily focused traditional realistic painting. From the freehand brushes in the1970s to the immersion of darkening figures into his backgrounds in the 1990s, his paintings have transformed from concretization into abstraction, leaving the space of association to the viewers. During Xue’s stay at Nagoya University as a visiting scholar in 1995, he tried to create "abstract within images”, engaging in vigorous brush strokes and graphics play. He has integrated the freestyle expression into the representation of images in abstract art, reaching a semi-abstract freehand spirit of art. Abstract is the intrinsic property and sublimation of concretization. It takes mood and charm for the heavenly frame of art. Xue mentioned that Xie-He placed “vigorous Chi” in the first place in his essay Theory of Six Principles of Painting. “Chi”, expounded as the vitality of the universe in ancient Chinese culture, as well as “Yun”, the metaphor of melody in harmony, have revealed the spirit of painting as a visual art: vivid, harmonious, refreshing and sweet-sounding. In Xue’s impressionistic realm, the artist takes a wider view with great momentum: freehand brushes strive for simplicity and avoid the minor minutia in the pursuit of Chi and Yun. Through the cadence of strokes, he smoothly transforms conception into shapes. With the simplest figures and elaborate complexity, Xue has created a “second nature” above the real realm. The signifying vastness is exactly the oriental artistic embodiment of Chi. The intangible should reveal the nature of existence better than the tangible. Without limitations of time and space, implicitness lives beyond reality.
Xing-Biao XUE，< Heart Wave > ，oil painting，91x117cm，1995
Xing-Biao XUE，< Leisurely > ，oil painting，91x117cm，1995
Xue, Xing-Biao’s paintings have become as refined and elegant as the artist’s life. Travelling around and sketching in the open air, his early years primarily focused traditional realistic painting. From the freehand brushes in the1970s to the immersion of darkening figures into his backgrounds in the 1990s, his paintings have transformed from concretization into abstraction, leaving the space of association to the viewers. During Xue’s stay at Nagoya University as a visiting scholar in 1995, he tried to create "abstract within images”, engaging in vigorous brush strokes and graphics play. He has integrated the freestyle expression into the representation of images in abstract art, reaching a semi-abstract freehand spirit of art. Abstract is the intrinsic property and sublimation of concretization. It takes mood and charm for the heavenly frame of art. Xue mentioned that Xie-He placed “vigorous Chi” in the first place in his essay Theory of Six Principles of Painting. “Chi”, expounded as the vitality of the universe in ancient Chinese culture, as well as “Yun”, the metaphor of melody in harmony, have revealed the spirit of painting as a visual art: vivid, harmonious, refreshing and sweet-sounding. In Xue’s impressionistic realm, the artist takes a wider view with great momentum: freehand brushes strive for simplicity and avoid the minor minutia in the pursuit of Chi and Yun. Through the cadence of strokes, he smoothly transforms conception into shapes. With the simplest figures and elaborate complexity, Xue has created a “second nature” above the real realm. The signifying vastness is exactly the oriental artistic embodiment of Chi. The intangible should reveal the nature of existence better than the tangible. Without limitations of time and space, implicitness lives beyond reality.
Xing-Biao XUE，< Heart Wave > ，oil painting，91x117cm，1995
Xing-Biao XUE，< Leisurely > ，oil painting，91x117cm，1995
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