ARTNUTRI GALLERY
Xing-Biao, XUE
RESUME

1944 
Born in Fujian, China
 
1965 
Graduated from the Fine Arts Section. Art Department of Fujian Normal University
 
1979
Graduated from the oils class for Further Studies of Zhejiang Art Institute Member of China Artists Association/ Member of China Artists Association

POST SUCCESSIVELY
Director of the Art Department of Fujian Normal University
Professor of the Art Department of Fujian Normal University
Visiting Professor of Nagoya Art University, Japan
National First Class Artist of Fujian Art Research Institute
Vice Chairman of Fujian Committee for Evaluation of Senior Professional Titles of Fine Arts
Executive Vice President of Fujian Art Academy
Member of the Review Committee for the 9th China National Art Exhibition  
 

 
Drunkenly Merging with the Universe 117x364 

SOLO EXHIBITION
2014 “ Xing Biao Wuyi Dream”, Wuyi University, Fujian , China
2012 “ Love like a mountain- Xue Xing Biao impressionistic painting”, Fuzhou Painting Academy, Fuzhou, China
2007 “ Xue Xing Biao Solo Exhibition ”, Quanzhou Painting Academy, Fujian, China
2004 “ Xue Xing Biao Solo Exhibition ”, Holyoriental Art Gallery, Beijing, China
2002 “ Xue Xing Biao Solo Exhibition ”, Naffouj Gallery,  Rheinland- Pfalz,  Germany
2000 “ Xue Xing Biao Solo Exhibition ”, Ohio Chinese Art Center, USA
1996 “ Xue Xing Biao Solo Exhibition ”, Taiwan Imagery Painting Art Gallery( Artnutri Gallery), Taichung, Taiwan
1996 “ Xue Xing Biao Solo Exhibition ”, Arts Space Gallery, Nagoya, Japan
1995 “ Xue Xing Biao Solo Exhibition ”,Anli Painting Salon, Nagoya, Japan
1984 “ Go into the thick life in Yunnan”, Fuzhou Art Museum, Fuzhou, China


 
 Life’s Leap 91 x 117 cm
 
WORKS ON DISPLAY AT EXHIBITION
1964 “Flowers of the Motherland” The 4th China National Art Exhibition, Shanghai Art Museum/The National Art Museum of China (NAMOC), China
1972  “Railway Guards” China National Army Art Exhibition to Celebrate the 45th Anniversary of the Founding of the PLA, China Military Museum, Beijing,China
1979
 “Glory of the Nation” The 5th China National Art Exhibition, Shanghai Art Museum, China
1979  “Town of Banyan”, “Early Spring” The Oil Painting Exhibition of Landscape and Still Life from Six Provinces and One City in East China, Shanghai Art Museum, China
1984 “Golden Autumn on the Borderland” The 6th China National Art Exhibition, The National Art Museum of China (NAMOC), China
1987  “Green Shade” China Formative Arts Exhibition, Toronto Art Gallery, Canada
1988 “Farewell to My Concubine” China Modern Arts Show, Greenwich Art Gallery, New York/ Hawk Painting Salon, New York, USA
1988 “Life” Exhibition of Teachers Paintings from Six Provinces and One City in East China, China
1989 “The Winter Solstice” The 7th China National Art Exhibition, Shanghai Art Museum, China
1991 “Ancient Walled City” The 1st China Annual Show of oil paintings, China History Museum, Beijing/ Hong Kong Conference and Exhibition Center
1994 “ Between the Lines” The 8th China National Art Exhibition, NAMOC, China
1999 “ Wild with Joy” The 9th China National Art Exhibition, Shanghai Art Museum, China
2002 “Autumn” and others Exhibition of Four Chinese Oil Painters, Rheinland-Pfalz, Germany
2002  “Red Sails” and others Rheinland-Pfalz Art Fair, Rheinland-Pfalz , Germany
2003 The 3rd  Chinese Oil Painting Exhibition, Shanghai Art Museum, China
2003  The 2nd  National  Painting Academy Biennale, Guangdong Museum of Art, Guangdong ,China 
2004 The 10th National Exhibition of Oil Paintings, The National Art Museum of China (NAMOC), Beijing, China
2006 “ Infinity County- North and South Oil Painting Guest Exhibition” ,The National Art Museum of China (NAMOC), Beijing, China
2007 “Exploit of Centry - Chinese Painting Exhibition”, National Museum of China, Beijing, China
2008   The 1st China Life Drawing Phoenix Award, The National Art Museum of China  (NAMOC), Beijing, China
2010 “The Oil Painting and Contemporary Society Exhibition”, National Museum of China, Beijing, China
2011 “ Classic and inheritance- 1st  China Oil Painting Bienniale”, Shenzhen Art Museum , Shenzhen /  National Museum of China, Beijing, China
2013 “Xue Xing-Biao, Chang Li Ping, Guo Ning Joint Exhibition”, Fujian Art Museum, Fujian, China 

The essence of Xie He’s “six techniques” is that the “tone should be lively” and the “brush should be used to generate forcefulnesss.”  The requirement refers to poise, and latter refers to the “skeleton.” A scholar of the Wei-Jin period combined these two elements and formulated the requirement for a “distinct, elegant, and slender exterior and interior. This is the source of traditional Chinese painting’s vitality.
To raise my spirits, I transformed “Life” into Zhuo Zhuo’s “Spring Moon and Willows” so that I could adapt scribbling, not seeking realism, but only seeking to please myself.”


 
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